Robert Carl with poet Charles Simic, at the premiere of Simic Songs




Sounding and “Muting” sound sculptures for Sounding Sea/Silent Sea




Performing the Ritratto... at FOCAM festival, Washington State U.,
February 2010

Upcoming in 2018:

 

Infinity Avenue for improvising ensemble with live laptop (MaxMSP); Mise-En Place, Bushwick, NYC, April 20, 2018

 

Symphony No.6, “Dome of Refuge”*, Hartt Symphony Orchestra (Edward Cumming, cond.), Hartt School, March 30, 2017

 

Infinity Avenue for large improvising ensemble with live laptop (MaxMSP); Kansas City Art Institute, February 27, 2018

 

 

2016-17:

 

Panel Presenter on overtone structures in time-space, International Sculpture Conference, Kansas City, MO, October 28, 2017

 

Lecture on Postmodernism in Music, Bard College, October 19, 2017

 

Jyun On* for two shakuhachis and ichigenkin, Bard College, Hartt School, CRS (NYC), U of Colorado/Colorado Springs, October 2 ,4 ,8, 11, 2017

                              

Masterclass and lecture to UB(Suny/Buffalo) graduate composers, as Featured Visiting Artist, September 29, 2017

 

Soundscape for installation of Karen McCoy’s seemingly Unconnected Events: The Writing Is On the Wall, Prairie Festival, The Land Institute, September 22-24, 2017

 

Lecture to Composer’s Symposium, Boston University School, of Music, September 12, 2017

 

Updraft for trombone and fixed media; Mark Broschinksy, trombone; Mise-En Place, Bushwick, NYC, September 4, 2017

 

Duke Meets Mort for saxophone quartet, Prism Quartet, Painted Bride, Philadelphia and Le Possion Rouge, NYC, June 3-4, 2017

 

Fragile Farewell for piano trio, Entelechron Trio, Recording session for CD release; M&I studios, NYC, May 19, 2017

 

Quantum Dances for clarinet, violin, and piano, Counter)induction; Nimoy Thalia, Symphony Space; NYC, May 13, 2017

 

Night Garden for contrabass quintet: Hartt Bass Band, Robet Black, cond.; Hartt School, April 23, 2017

 

Sonatina for Flute and Piano*: Janet Arms & Jesse Goldberg; Hartt School, April 9, 2017

 

Quintet for Clarinet and Strings*, Ensemble Echappé; American Academy of Arts and Letters, NYC, March 19, 2017

 

Bullet Cycle for 2 improvising musicians, percussive timekeeper, and fixed media; Ensemble Ipse, Shapeshifter Lab, Brooklyn, March 5, 2017

 

Infinity Avenue* for improvising ensemble with live laptop (MaxMSP); Real Art Ways, Hartford, Robert Carl and improvising quintet, February 5, 2017

 

Garland for two celli, Esther Rogers Baker and Brian Donat; The Bakery Concert series, Saranac Lake, NY, January 29 2017

 

What’s Underfoot* for large ensemble, Foot in the Door, Edward Cumming, cond., U. of Hartford, December 7, 2016

 

Changing My Spots (version for brass trio*), Ensemble Mise-En, Bushwick, Brooklyn, October 2, 2016

 

One Slips, One Skips* for violin duo (also for 2 solos); Haddam and Hartford CT, September 9 &1 4, 2016

 

*Premiere