Electronic

Martello Mix (2009)
for outdoor sculpture installation and fixed media

Exploring the Possibilities
for improvising instrumentalist and “real-time gamelan” (2008) [Max/MSP] (open duration)

Bullet Cycle
for three instruments and electroacoustic/ambient sound (2007) [Max/MSP] (16’)

Pulse Field
for 1-6 laptops (2008) [Max/MSP] (open duration)

Haiku of Buson (1996)
for reciter and tape (13')

Tales My Grandmother Told Me (1988)
for sampled and synthesized sounds on tape (12')

Three-Real Time Etudes (1986)
for Synclavier II (12')

Skyway (1985)
for computer-generated tape (14')

Like a High Wind Never Ceasing (1979)
for shakuhachi and synthesized sounds on tape (15')

[see also Ritratto..., (solo piano), A Clean Sweep, Roundabout and Yearning (solo instrument with accompaniment), Sunburst (chamber), Seeing Forms, Hearing Voices (vocal with ensemble)]

Performance

Farewell to the Funless 80's! (1989)
for lounge singer

Platonic (1978)
for two thundersheets (indeterminate)

[see also Warm Waxing Wail (solo piano), Car Radio Rant, (solo piano), Trancendance (vocal/music theatre); Haiku of Buson (electronic)]